Sketching religion, love and time in the valley (V.1)

The old hipster church in the trees had long gone bad and soured.

It was a long time coming, alot of thought went into the decision,

But, really, you just turned and went,

Staggering down the path to the river bank.

I’d see you standing there, ankle deep in the cool water,

On a hot summer afternoon just as the breeze kicked up the valley.

You couldn’t hear the moaning procession that was soon to follow

From the trees, down the trail, and to the water.

Fortunately, you were long gone then.

The breeze had carried you off: like the last stammering wailings

Of tired parishioners fading into the evening woods,

never to be heard again.

I don’t see you there anymore,

But sometimes, in the morning, I hear the crack of a twig in the woods,

And wonder if you sit there,

waiting.

I walked to that place once, climbing back up to the high place

Where it once stood, and wondered if there were tears,

Did you hold them back?

Or let them fall to the water, to float downstream.

Or maybe you are now the song of birds, the orange of pumpkin,

The splashes made by moving water.

Maybe you are the cackling laughter from the old lady that lives in the shack,

Just around the bend.

Time of the Valley

 Away from the coast, for several days in June,

Where the river bends broad and wide, Spring holds on,

Giving way to an old vibrancy still lingering in the valley.

A chance morning rain: warm, brief, light as a whisper,

Sharpening the songs of birds and painting the last flowers across fields

Between dwellings added on to over the years.

The kinds of homes that either gather character, or become ramshackle.

If you are not careful, this seems like the way it always should be.

.

Look across the green fields, and see an old tractor here and over there,

Now rusted fossils of moving days, times of hard work,

And lazy Sunday afternoons, when kids would skip stones across the river.

.

A metal-sided shop, banged, dented and dulled,

Held fast by the thorns of blackberry vines,

Now only kept clear near a single door:

An oil stained opening to more rust, stories and passed toils.

Somewhere, in there, sometime, things just stopped.

But the smell of grease still lingers, over the tinge of mice and cobweb.

.

You don’t have to be careful in August, days of relentless sun and heat:

Wilting everything into tangled, thorny masses

Covering once proud fences, and clutching old projects

Long enough for them to wither of procrastination on hot, windless afternoons,

When soil bakes into hard, aching sticker-ridden swaths,

And old metal sorely creaks and groans,

Thirsting for the first cheating rain of late September.

.

If you are not careful, and forget this time,

When the soul of this place was able to pause

And exhale the long breath of relief,

you will be swallowed whole in this empty celebration.

Bentley_Ridge_Round_Valley

Swain’s Flat Draft 2

Still trying to distill my mental sketches…. a bit redundant from the previous notes, nonetheless a work in progress….

Inland, the river bends broad and wide,

Giving way to a brief valley.

If you are careful, the soul of this place still lingers

Though it is hidden amongst a scattering of dwellings,

The kinds of dwellings that are added on to over the years

And either gather character, or become ramshackle

If you are not careful.

Wonder through here during the middle of May,

What hasn’t been said of Springtime in the valley?

Warm morning rain, light as a whisper,

Painting flowers across fields between the homes,

And sharpening the songs of birds.

But look closer and see an old tractor here and over there,

Rusted fossils of days when things moved here,

In the space between hard work and lazy sunday afternoons,

When the kids would skip stones across the river.

The metal-sided shop, banged, dented and dulled, surrounded in blackberry vines,

Only kept clear near a single door,

An oil stained opening to more rust, stories and passed toils.

Somewhere, in there, sometime,

Things just stopped,

But the smell of grease still lingers over

The tinge of mice and cobweb.

You don’t have to be careful in August,

The valley, it’s soul, is swallowed whole

By days of relentless sun and heat

That wilts blackberries into tangled, thorny masses

Covering once proud fences,

And soil baked into hard, aching sticker-ridden swaths

That will deny any invitation until the first cheating rain

Of late September.

Sun and heat that buckles metal, peels paint

And forgets the 16 days in May

When the soul of this place was able to pause

And exhale the long breath of relief.

Sketching Swain’s Flat

The seed of a poem was planted while passing through the small valley flat that borders the river. I was taken by a sense that an old vibrancy still lingers here, but is continually swallowed whole each year. My sketches here aren’t intended to offend anyone, as this is a special place. For several days in May, spring gushes forth dotted with a warm, light rain in the morning that sharpens the calls of birds, brightens flowers in the grass and seems like this is the way it always should be. But today this seems an empty celebration, and echoes of old summers still rattle the metal siding of an old shop, once a celebration of new business, prosperity, hope:

When Friday night beers lasted into the wee hours,

Giving way to a lazy sunday, maybe church and an afternoon alongside the big pool where the trail runs down to the river bar.

Now, tractors, rusted fossil heaps of dreams of better days,

And the old metal shop building that will groan again

in the summer heat soon to follow,

Now blackberry vines reach, before they wilt and tangle their thorny grasp around rusted projects

Along with everything else, on hot, windless afternoons.

All this has gone forgotten, or left for other times and new places, or just stopped.

It’s hard to tell on days like today.

Soon, summer will surely bake the ground into a hard, aching cracked memory

Of the place we see today,

And the old shack at the back of the field, quiet today

Again. The residents might stir once or twice,

But, passing by, we can’t help but wonder if they too lie in tangled heaps

Of the memories of life, family and stories that once filled the valley.

Now, while the river still runs fresh and cool, they haven’t noticed, or woken,

still sleeping hoping that these days are a dream and the 16 days of May

are just the soft pillow to whittle away their time.

When the River Went Away – Part IV – Afterwards

The mockery of their happiness lingered into the years

Long after the places they lived had blown away across the fields

I can’t remember the tree when I visited them then,

But now its heavy branches reach out, holding this place

In mid-summer, when the grass turns golden yellow,

When the old men change topics from weather to iced tea perhaps,

Someone lingers through the field, stopping here and there

And I wonder if they are standing on the places where the lives

Of an old couple passed through, holding hands, laughing,

Bereaving and all the things that get marked in subtle ways

And now cause people to pause in their steps and look across.

When the visitors came back from the field, their eyes are focused

But easy, in the way that walking across time can do.

Exuberance

Long before you turn westwards

To face the coming of storms.

 

Long before this time.

 

Lying there, huddled despair,

Curls of innocence,

You silken breath now on edge.

 

Long before you turn, lingering,

Holding the shadowy forgotten muses

The old exuberance of dreams

From a waking morning

When Spring and sun

Rang eternal promise,

And tingled joy.

 

Long before all this,

Let me hear your woes, regrets

And all the sinful exhortations.

 

Before you run pure

Into summer’s long eve.

 

Winter Day on the Queets

Queets

This is a sketch of a day spent on the Queets River on the Olympic Peninsula in Washington. It was a day of catching and releasing wild steelhead and sea run bull trout. Everything was cold and still here, and at the end of the road, it seemed as though I was the only one around. This is a place a long way from anywhere, but somehow in the midst of the soul of something bigger than me. Ironically, the day seemed to be almost a mix of unplaced anxiety over this sudden solitude and awestruck fascination with a place I have wanted to visit for so long. Here I found that the thin line between unplaced fear and ecstatic exuberence runs through the trees, along the river and up the hill.

.

In the trees, there is no luxury of imagining summer,

As I follow a thin faint line, draped over stick and stone.

Tracing a path of hope across these shadowy woods,

I now know each breath, short and seen,

Each thought, passing and glancing,

While nighttime fidgets and snarls wherever I lean.

.

When the way out is momentarily forgotten,

Where the single frail thread is hidden under moss and bough,

A chill courses through my spine, rippling across my brow.

.

Along the river, to my utter surprise,

Wrapped in high haze were grand winter skies!

Cast in a muted sun, hung low over high tree

This theater of emptiness sees night briefly flee.

.

Now, surely, a desperate reprieve from winter’s meddles,

To wash away that shuddering thought:

That out here, daylight is a cruel trick,

Luring me into its seasonal plot!

.

Oh, forget the water sounds,

Wind through trees, silent soaring birds.

Forget these tones of wild place!

For they were swallowed, broadside and whole

By a darkness lingering at every space.

queets1

steelie2

When the River Went Away – Take III: A Gothic Halloween

A half open window

Buffeted by wind

Creeping through doors and cracks

Of a hollow house standing tall

In golden seas:

.       Hosts of October’s departure.

.

Wind shuffling papers off a dusty table

Scattering and sliding along dark wooden floors.

.

On the table, the long swoop of her fingers

Catches the last, late sun:

.      Bony knuckles in pale skin.

.

Little games the wind plays:

.     A back door slams shut,

.      Sneaking open again.

.

Her eyes, silent and empty:

.    A blank stare across fields of time

.     Become rusted playgrounds.

At just the right angle:

.     Sparkling. Just then.

.

She’s sat here for a hundred years:

.     Maybe longer,

Beside this window to the wind.

.

Messages, there are none

Until a warm gust,

Catching her grey hair,

.

Sprawled fingers curl then loosen

.

Warm tidings rippling through the grass

Knocking on a window

Where she’s waited for so long.

.

On a gust, the door flies open

Like a deep breath through the rooms

And for just a moment

The faintest, sweetest smell,

Like wispy memories of life,

She thinks.

.

Now the sudden hush of stillness.

.

All so warm and easy

This tall house, leaning on years

Fingers grasping for the last of the light.

.

And the warm, sweet smell of her passing still lingers here

As October’s stories scatter across dark skies and warm winds.